Greylock is a stunning masterpiece of innovative horror. Award-winning author Paula Kappa delivers a virtuoso performance in fiction, with characters you’ll care deeply about and sinister evil that will trouble your sleep for a long time to come.
Composer and classical concert pianist Alexei Georg has a dream: to put the music of the beluga whales off Russia’s coast into a musical composition for piano and symphony orchestra. Only two things are stopping him: a shrewish wife and a black apparition that haunts his recent performances.
His lover, radio meteorologist Lia Marrs, wants very much to believe that Alexei will be successful in his bid to divorce the diabolical Carole Anne, but his soon-to-be ex-wife has a secret she’s holding over his head — the revelation that his signature composition “October” was, in fact, written over a hundred years earlier by someone else.
He travels to the icy waters where the whales are known to sing their eerie songs, and encounters a female Russian shaman who alternately intrigues him and terrifies him with her enigmatic interpretations.
Then, Carole Anne’s murder throws things into turmoil as Alexei, suspected of the crime, flees to remote Mount Greylock, still pursued by the dark phantom.
This inspired story of the creative process, and the lengths to which a composer might go to realize his dream, is at once cautionary and revealing. Who can say what dark muses we all might entreat to achieve our artistic aims and aspirations?
Five well-earned stars to Greylock. I’ve not seen anything like it since Hitchcock and duMaurier gave us The Birds.